PROGRAM OVERVIEW
APRIL 1 – AUGUST 14

Photo: Yang Zhichao – Planting Grass (detail) / Courtesy of Eli Klein Gallery

TIMELINE OVERVIEW (->pdf)

VENUE OVERVIEW (->pdf)

PROGRAM OVERVIEW

EXHIBITIONS

Clicking on a project title forwards you to its info page!

APRIL

April 1 – April 24
PERFORMANCE ANXIETY / Solo exhibition @ Babel visningsrom for kunst
SAMUEL BRZESKI (UK)
Exhibition opening, April 1, 19.00 – 21.00
Artist talk, April 24, 14.00 – 16.00

Curator: LENA KATRINE SOKKI (NO)

April 25 – May 8
NATURAL REMAKE / Workshop for children @ ReMida Trondheim
Workshop exhibition May 7 & 8, 11.00 – 15.00

Curator: PÅL BØYESEN (NO)

April 28 – May 22
BY DRAWING THE WAVES I SAW THE SEA WHERE THE WAVES GATHERED / Solo exhibition @ Dropsfabrikken
SIMONE HOOYMANS (NL/NO)
Exhibition opening, April 28, 19.00 – 21.00

Curator: ANNIKEN STORHAUG (NO)

MAY

May 3 – June 19
PLASTIVORE / Installation @ Vitensenteret i Trondheim
OLIVER KELLHAMMER (CA/DE/US)
Exhibition opening, May 3, 16.00 – 18.00

Curator: ÅSHILD ADSEN (NO)

May 3 – June 19 / Various schedules and venues!
MFA 2 GRADUATION EXHIBITIONS
Group exhibitions under the auspices of Trondheim Academy of Fine Art, NTNU
Vitensenteret i Trondheim /
Exhibition opening May 3, 16.00 – 18.00
K-U-K – Kjøpmannsgata Ung Kunst
/ Exhibition opening May 14, TBA
Nils Aas Kunstverksted
/ Exhibition opening May 15, 13.00 – 16.00
Curator: ALEX MURRAY-LESLIE (AU/NO)

AMALIA RAYE WIATR LEWIS (US)
SIGNALING
May 3 – June 19
Exhibition 
@ Vitensenteret i Trondheim / Exhibition opening May 3, 16.00 – 18.00
May 14 – June 12
Exhibition @ K-U-K – Kjøpmannsgata Ung Kunst
May 15 – June 12
Exhibition Nils Aas Kunstverksted
May 14
Performance @ Kunsthall Trondheim
May 21
Performance @ Vitensenteret i Trondheim

JOSHUA DEKIA (GH/NO)
May 14 – June 12
TO END IS TO BEGIN, Exhibitions @ K-U-K – Kjøpmannsgata Ung Kunst &Trondheim public library

LIZ DOM
(ZA/NO)

May 14 – June 12
VIRAL LOAD
, Exhibition @ K-U-K – Kjøpmannsgata Ung Kunst
May 14 – June 12

Installations and screen based works @ Olavshallen screens, Clarion hotel, Trondheim public library, Adressaparken.
May 15 – June 12
Exhibition and screen based works Nils Aas Kunstverksted.
May 15, Performance Nils Aas Kunstverksted
May 20, Performance @ Adressaparken

HALL OF MIRRORS, Film screening of experimental documentary @ Cinemateket Trondheim
May 14, 18.00, 19.00 / May 21, 15.00 / June 3, 17.00

MALAKIAS LIEBMANN (DK/NO)
WHO WAS THE SEVENTH DAD IN THE HOUSE, FROM THE NORWEGIAN FOLK TALE?
May 14 – June 12, Exhibition @ K-U-K – Kjøpmannsgata Ung Kunst
May 15 – June 12, Exhibition @ Nils Aas Kunstverksted
May 20, Performance, talk, workshop @ 7th Dad

May 06 – August 14
ECOPHILIA / Group exhibition @ K-U-K – Kjøpmannsgata Ung Kunst

ANNIE HÄGG (SE)
FRANK EKEBERG
(NO)
JATUN RISBA
(SI)
MAREN DAGNY JUELL
(NO)
MARIA CASTELLANOS
 (ES) & ALBERTO VALVERDE (ES)
MARIUS PRESTERUD
(NO)
Exhibition opening May 06, 18.00 – 20.00

Curator: ZANE CERPINA (LV/NO) / Co-curator: ESPEN GANGVIK 
(NO)

May 07 – July 31
LIFE SUPPORT SYSTEM / Installation @ TEKS.studio
DISNOVATION.ORG (PL/FR/DE)

Exhibition opening May 07, 18.00 – 20.00.

Curator: ESPEN GANGVIK (NO) / Co-curator: ZANE CERPINA (LV/NO)

May 19 – July 31
ECOPHILIA
/ Group exhibition @ Trøndelag senter for samtidskunst
AI HASEGAWA (JP)
ANNIKE FLO
(NO)
DISNOVATION.ORG
(PL/FR/DE)
JAKOB KUDSK STEENSEN
(DK/DE)
LEENA SAARINEN
(FI)
STEPHANIE ROTHENBERG
(US)
THE CENTER FOR GENOMIC GASTRONOMY
(NO/PT)
THOMAS THWAITES
(UK)
YANG ZHICHAO
(CN)
Exhibition opening May 19, 18.00 – 20.00

Curator: ZANE CERPINA (LV/NO) / Co-curator: ESPEN GANGVIK (NO)

JUNE

June 18 – August 14
KRAFT Installation Nils Aas Kunstverksted
ERLEND LEIRDAL (NO) & ØYVIND BRANDTSEGG (NO)
Installation opening June 18, 15.00 – 17.00

Curator: MARIA VEIE SANDVIK (NO)

CONFERENCE / ARTIST TALKS

Clicking on a project title forwards you to its info page!

MAY

May 07, 13.00 – 15.00
INVESTIGATING THE FUTURES OF LIVING TECHNOLOGIES
Artist conversations K-U-K – Kjøpmannsgata Ung Kunst with FeLT/OsloMet
DISNOVATION.ORG (PL/FR/DE)
FRANK EKEBERG
(NO)
MAREN DAGNY JUELL
(NO)
MARIA CASTELLANOS
(NO)
MARIUS PRESTERUD
(NO)
Curators and moderators: HEGE TAPIO (NO)KRISTIN BERGAUST (NO)

May 20 & 21, 10.00 – 16.00
 Buy tickets: NOK 50/100/day – In collaboration with Litteraturhuset i Trondheim 
ECOPHILIA CONFERENCE @ Dokkhuset
EBEN KIRKSEY (US/AU)
JENS HAUSER
(DE/FR/DK)
KATRINE ELISE PEDERSEN
(NO)
KIRSTY KROSS (AU/NO)

LAURA BELOFF
(FI)
MARIUS PRESTERUD
(NO)
MARTIN HOWSE
(UK/DE)
MIRIAM SIMUN (transnational)

STEPHANIE ROTHENBERG
(US)
THOMAS THWAITES (UK)
TIMOTHY MORTON
(US)
ŠPELA PETRIČ
(SI)
Curator: ZANE CERPINA (LV/NO)

JUNE

June 16, 18.00 – 20.00
ART AS RESEARCH

Artist conversations @ Kunstmuseet Nord-Trøndelag
ELLEN SOFIE GRIEGEL (NO)
SISSEL M. BERGH 
(NO)
Curator: FRIDA MARIE EDLUND (SE/NO)

CONCERTS / PERFORMANCES / SCREENINGS

Clicking on a project title forwards you to its info page!

APRIL

April 28, 30; May 3, 12, 20, 21; June 11
RADICAL COMPROMISE / Screening @ PLANETARIET, Vitensenteret i Trondheim
DANIEL ČERVENKA (CZ) & MAREK ŠILPOCH (CZ)
Schedules @ vitensenteret.com

Curator: LARS PEDERSEN (NO)

MAY

May 18 @ 20.00 / Doors open 19.30
 Buy tickets: NOK 190/250 @ JAZZFEST

ALT SOM LEVER SKAL DØ / Concert @ Dokkhuset

EIRIK HAVNES, LARS OVE FOSSHEIM (NO)
A project collaboration between JAZZFEST and META.MORF

May 20 @ 20.30 / Doors open 20.00
 Buy tickets: Double concert, tickets NOK 240/300 

FAKE SYNTHETIC MUSIC / Concert @ Dokkhuset
STINE JANVIN (NO)
@ 22.00
VASSVIK MEETS OMNI ANIMA / A FOOT IN BOTH WORLDS / Concert @ Dokkhuset
VASSVIK (
SÁPMI/NO) / Stahl Stenslie (NO)

May 21 @ 21.00 / Doors open 20.30
 Buy tickets: NOK 190/250 

SONOTOPIAA MEMORY OF SHADOWS (Extinction Symphony) / Concert @ Dokkhuset
GISLE MARTENS MEYER (NO)

May 28 & 29, 13.00 – 16.00
HOW TO READ WATERDance performance
Heimdal Kunstforening
ANNA THU SCHMIDT (DE/NO)
HANNE DAHL GEVING
(NO)
MINA PAASCHE
(NO)
THEA ELLINGSEN GRANT
(NO)
Curator: DANIEL VINCENT HANSEN (SE/NO)

JUNE

June 17, 19.00 – 20.30
 Buy tickets: NOK 90/120 
SCREENS REVIVED AND REVISITED, 1997 2022 / Screenings @ Cinemateket Trondheim
INGER LISE HANSEN (NO)
JEREMY WELSH
(UK/NO)
KAIA HUGIN
(NO)
LENE GRENAGER
(NO)
MICHAEL FRANCIS DUCH
(NO)
PIYA WANTHIANG
(TH/NO)
TIJS HAM
(NL/NO)
VIBEKE JENSEN
(NO)
ØYVIND BRANDTSEGG
(NO)
Curator: JEREMY WELSH (UK/NO)

Vitensenteret i Trondheim

Oliver Kellhammer Plastivore

Meta.Morf 2022 / Vitensenteret i Trondheim / Installation May 3 – June 19 / Curator: Åshild Adsen

PLASTIVORE

Oliver Kellhammer [CA/DE/US]

Plastic pollution is one of the biggest crises of today. And, although many countries today are banning the use of single use plastics, the amount of plastic surrounding us can feel overwhelming. Polystyrene is a large component of our global waste problem. A non-biodegradable material and a major component of both marine and terrestrial pollution. Styrofoam (expanded polystyrene) is a difficult to recycle component of the global waste stream. With his botanical interventions Oliver Kellhammer seeks to find solutions through his art practice.

Kellhammer collaborated with students at Parsons School of Design in New York to demonstrate how insects could help us break down this plastic problem making a protocol and allowed viewers to watch mealworms dine on polystyrene.

Recent research shows that the mealworm (Tenebrio molitor) has the amazing ability to biodegrade styrofoam via symbiotic organisms that live in its gut. Kellhammer has worked with students at Parsons over the past few semesters to develop protocols to demonstrate this process.

The installation consists of partially degraded Styrofoam objects that have been exposed to the mealworms for a while. As objects of contemplation, they are reminiscent of the Scholar’s Stones (pinyin: gõngshí) that have long been celebrated in China and Japan.

Kellhammer’s installation was first exhibited at Science Gallery Dublin in 2018 and Melbourne in 2019 and we are delighted to present this project at the Science Center in Trondheim.

Oliver Kellhammer
Oliver Kellhammer is an artist, writer, and researcher who seeks, through his botanical interventions and social art practice, to demonstrate nature’s surprising ability to recover from damage. Recent work has focused on the psychosocial effects of climate change, decontaminating polluted soil, reintroducing prehistoric trees to landscapes impacted by industrial logging, and cataloging the biodiversity of brownfields. He is currently a lecturer in sustainable systems at Parsons, NY.

oliverk.org

Header Graphics: “Plastivore” by Oliver Kellhammer.

 

Thomas Twaites

Meta.Morf 2022 – Ecophilia / Dokkhuset / Conference May 20 / Curator: Zane Cerpina

Goatman: How I tried and failed to take a holiday from being human

Thomas Thwaites [UK]

A few years ago I tried to turn myself into a goat, so I could have a holiday from being human. This was a fairly protracted process, as you might imagine. Over the course of about a year I enlisted the help of doctors of prosthetics, rumen biologists, evolutionary anatomists, neuroscientists, ethologists, a shaman and a goatherd. Each of these experts, when asked what the difference between Us and Goats is, could point to various greater or lesser differences, except the shaman, who maintained that at heart, there is no ultimate difference between us.

In my talk I’ll tell the story of this ‘hero’s journey’ and discuss the underlying method: the pursuit of an impossible goal as beacon by which to navigate through vast cross-disciplinary territories, as storytelling device, and means by which to force a move from theory to an engagement with (the often inconvenient) practical aspects of implementation.

I will also describe my current project: to make a totally harmless car, not just harmless in all senses for human persons, but for non-human persons too. Again this is an impossible goal, the practical implementation of which will force a reckoning with the reality with de-anthropocentric design.

Goatman began as a project to take a holiday from being human; to escape the stress and worry of being a person in human society with all its moral and practical complexities. There is a lot to worry about personally and globally, and with worry comes guilt and regret for failing to do ‘the right thing’. So: wouldn’t it be nice to just trot away from it all and become a goat, free to roam, free from worry, free from guilt? To have a holiday not only from your day-to-day life, but from your self as well?

But underlying the project is a question about ‘progress’: the notion that our species and our civilization is progressing toward something better: our spinning of stories out of our pasts and our futures, our regrets and our hopes.

I found trying to become a lowly, humble goat spiritually (as well as physically) uncomfortable: was I trying to go ‘backwards’, to de-volve? This discomfort led me to realise, that although I don’t consider myself religious, I’d been swept up/indoctrinated in a secular grand narrative; that there is a hierarchy of species, and that despite a few setbacks along the way, a rationalist liberal high technology culture will ultimately emerge as the end of our history. The techno-optimist idea that we as a species are progressing and evolving away from our base, savage uncultured ancestors, and toward an enlightened post-human future, possibly even colonising other planets.

Ernest Becker in the Denial of Death (1973), stated that currently ‘we are gods with anuses’: we’re high-tech cyborgs able to transcend so much of our biology, but yet we still must succumb to our biology, eating and defecting, and ultimately will die and rot away. Becker argued it is cognitive dissonance arising from this dual view of ourselves, that drives our need to be part of grand narratives, be they religious, nationalistic, aristocratic, or techno-scientific. We can’t quite face our knowledge of our own mortality, so we need to latch on to the idea we’re part of something greater.

The post-human answer to resolving this dissonance is to continue developing technology which will ultimately allow us to sever our link with our mortal fleshy biology, curing old age and death, and thus become fully god-like (and in the case of ‘mind-uploading’ to literally relieve ourselves from the necessity of having an anus).

As I pursued my dream of becoming a goat I realised I’d soaked in this optimistic vision of the future growing up, and at least subconsciously believed I was contributing in some small way to progressing human civilisation toward some kind of Star Trek future. And so Goatman became about enacting an alternative route out of our dissonance; to remove the godlike part in us. I wanted to personally come to terms with the idea that there is no ‘human destiny’ that we are all a part of, to stop thinking about ‘the future’ as a kind of destination, to stop striving, to remove humanity from the top of some imaginary hierarchy of nature, to expunge Descartes, and to present an alternative humble future of the post-human to aim for: the life of a goat on a hillside.

Should we dream of a future amongst the stars, or should we dream of a future akin to the life of a goat on a mountainside?

Thomas Thwaites
Thomas Thwaites is a designer interested in the social impacts of science and technology. He holds an MA in Design Interactions from the Royal College of Art, and a BSc. in Human Sciences from University College, London.

His work is in the permanent collections of the Victoria & Albert Museum in London, the Banque De France (Cite de l’Economie in Paris), and the Asia Culture Centre in South Korea. His work is exhibited at major galleries and museums worldwide, including at the National Museum of China, the Museum of Modern and Contemporary Art in Seoul, the Science Museum (London), the Cooper Hewitt in the USA and La Triennale di Milano (Italy). He has spoken at numerous conferences, including TED and Design Indaba, as well as at universities and businesses worldwide. Press includes features in national newspapers including the New York Times, Süddeutsche and The Financial Times. He has presented a four part television series, aired on Discovery Channel.

He is the author of two books; The Toaster Project, and GoatMan. The Toaster Project documents Thwaites’ attempt to make an electric toaster from scratch. Goatman describes his project to take a holiday from being human by becoming a goat. Both are published by Princeton Architectural Press, and have been translated into Korean, Japanese and Norwegian.

thomasthwaites.com

Header Graphics: “Goatman” by Thomas Thwaites. Photo credit: Tim Bowditch.

 

META.MORF MANIFESTO

Meta.Morf Manifesto

Artistic and scientific research are continuously challenging and changing our perspectives on life, often implying new philosophical and existential questions.

Biotechnology, nanotechnology, neuroscience and new communications and computer technologies are examples of fields that expand the boundaries of artistic thinking and practice. 

Artistic practice is able to act as a catalyst in various fields of research, and can contribute to innovation through its ability to operate outside accepted norms and scientific truths.

The artist as a conveyor and interpreter of new knowledge and research plays a crucial role for society’s ability to maintain an adequate discourse regarding use of new technologies and scientific advancements.

Meta.Morf – Trondheim international biennale for art and technology – aim to present artists, writers, and researchers for a broader audience with projects and performances that in various ways helps extending our perspectives on life.

Intro

Meta.Morf 2022 – Ecophilia

Trondheim international biennale for art and technology
April 1 – August 14, 2022

 

ECOPHILIA -find your nature

Nature has gone estranged. Our link to it is more important than ever. Our home planet needs our care and love. This is what Ecophilia is about. And you cannot avoid it. Nature is all about your lifeworld. Where you live, how you live and how you love it.

Ecophilia reflects not only a necessity, but also a deep desire to connect with nature. But what is nature really? Except for some ecological dreamscapes?

Ecology comes from Greek Oikos, meaning home. In this age of the Anthropocene, our Oikos is constantly altered by new technologies, man-induced environmental disasters, biotechnological wonders, and blurred borders between the made and the natural.

Doomsday scenarios and environmental apocalypses have become iconic images of nature today. The same dystopias of the future lure us back to most romantic portraits of pristine landscapes – a paradise lost.

Some wonderful place we once belonged. What is that nature we so desperately worship, seek to love, protect, and save? Does it even exist?

After all, there is no universal understanding of nature. It is a cultural construct. There is no perfect love for it either. Are the many varieties of ecophilias manifesting our changing relationship of nature? Can one be too much of an ecophile?

Meta.Morf 2022 – The seventh Trondheim international biennale for art and technology – manifests a critical take on our relationship to nature. The biennale will, through conferences, exhibitions, performances, screenings and workshops, critically question what it truly means to be an ecophile in the age of the Anthropocene.

Zane Cerpina / Espen Gangvik, 2022

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