Malakias Liebmann

Malakias Liebmann

Meta.Morf 2022 / Trondheim Academy of Fine Art (KiT), NTNU /
Exhibition Program May 3–June 19 / Curator: Alex Murray-Leslie

Who was the seventh dad in the house, from the Norwegian folk tale?

Malakias Liebmann [DK/NO]

Event @ 7th Dad: May 20, 7PM, Kjøpmannsgata 12, 3rd floor

Who was the seventh dad in the house, from the Norwegian folk tale?

The performative dinner will be held at 7th Dad and seeks to present a seven-course investigative dinner, where we will collectively figure out, (with the help of Malakias Liebmann’s graphic print works on the walls, acting as a visual cues) who the seventh dad in the house is?

In the context of Meta.Morf Ecophilia, Malakias invites fifteen guests for this performative dinner, which will provide space to those who are curious to answer the question: Who is the seventh dad in the house?

The evening embraces the theme of Ecophilia and adds a question mark to humans’ inherent madness and love for nature through the consumption of locally sourced food and drinks.

Who is the seventh dad in the house? Invites you to join a 7-course meal with paired drinks. You can sign up with the QR code.

Exhibition
K-U-K – Kjøpmannsgata Ung Kunst, May 14 – June 6
Nils Aas Kunstverksted, May 15 – June 12

Performance / talk / workshop
Who was the seventh dad in the house, from the Norwegian folk tale?
7th Dad (Kjøpmannsgata 12, 3rd floor), May 20 @ 19:00
Limited places, sign up with QR code.

Malakias Liebmann

Malakias Liebmann
Liebmann embarked on his adventures at Trondheim Academy of Fine Arts (NTNU) in 2017 as part of the Bachelor of Fine Arts Program. In 2020 he continued his artistic research and practice into un-roadmapped territories in the International Master Program, which led him to found 7th Dad, a DIY artist-run bar (in the tradition of Dada-esque, Cabaret Voltaire) focussing on craft beer brewing, food as sculptures and relationally aesthetic graphic artworks.

malakias.art   

 

Header Graphics: Sign up with QR: 205th performative dinner, who was the seventh dad in the house.

 

 

Liz Dom

Liz Dom

Meta.Morf 2022 / Trondheim Academy of Fine Art (KiT), NTNU /
Exhibition Program May 3–June 19 / Curator: Alex Murray-Leslie

Viral Load

Liz Dom [ZA/NO]

There’s another virus destroying the planet – its name is misinformation. Due to an unmitigated, rampant spread, a new variant has developed, too, called truthiness.

You’ve come into contact with its symptoms; hopefully, you’re not infected…
– Information spreads virally; we’ve even got a term for it – a video, image, or story went viral – and while this is how stories got around for centuries, by word-of-mouth, the Internet and social media have accelerated this word-of-mouth spreading to a point where it’s moving too fast.

Too fast to be checked, too fast to even be red.

This is hurting our world – from Covid-19 anti-vax sentiment and the denial of an impending climate crisis to the incitement of insurrection because of a little troll called Q.

Let’s face it, you’ve probably shared misinformation, not intentionally, mind you, but because it appeals to your biases or you simply found the headline interesting and/or triggering and didn’t bother to read the article.

Our actions have consequences, however, and with misinformation or truthiness (the concept that something’s true because you feel it is) these can be quite extensive.

We simply don’t know how to read visually anymore – what does misinformation look like? Do you know? This is an immediate artistic problem.

Through several visual and performative experiments, Liz Dom’s work aims to discern not only the phenomena of misinformation but how it happens.

By involving the public in the making, she asks them to discover the how with her and to become conscious of their decisions using a learn-by-doing approach.

Liz Dom´s work confronts the audience with the very stuff of misinformation – information – through a variety of media; from news to social media, games to documentary, and asks them to make decisions based on how they’re reading it. This active questioning reveals the how – from cognitive bias and ideology to a slew of small, seemingly minor influences that lead to sharing or believing something false.

In a performative round table, called Viral Load, at Adressaparken, May 20, 4 PM, Liz Dom will interview a journalist from Addressavisa newspaper and the Norwegian public about fake news and misinformation. She will pose as a journalist, truther and fortune-teller, mixing fact and fiction in a surreal, absurd demonstration of the skewed stories we tell about our world.

The title, Viral Load, speaks towards the total of alternative facts, half truths and misinformation contained within a message and its probability of being highly contagious.

As ecophiles, it is our responsibility to be good ancestors to future generations; 2050 is just shy of 30 years from now.

Misinformation and its symptoms can be cured if we treat the root cause – a growing visual illiteracy and an over-reliance on truthiness.

Sure, we don’t share the same facts, and, therefore, not the same reality, but perhaps we can get closer to sharing the same truths, at least.

Program
Exhibition & screen based works across Trondheim & Trøndelag
K-U-K – Kjøpmannsgata Ung Kunst, Olavshallen screens, Clarion hotel, Trondheim Public Library, and Adressaparken, May 14 – June 6
Nils Aas Kunstverksted, May 15 – June 12

Film screening of experimental documentary
Hall of Mirrors @ Cinemateket
May 14 @ 18:00 – 19:00
May 21 @ 15:00 – 17:00
June 3 @ 17:00 – 19:00

Exhibition openings
K-U-K – Kjøpmannsgata Ung Kunst, May 14 @ 15:00 – 18:00
Nils Aas Kunstverksted, May 15 @ 13:00 – 15:00

Performances
Nils Aas Kunstverksted, May 15 @ 13:00 – 15:00
Adressaparken, May 20 @ 16:00 – 17:00
Viral Load: An Interview with the public. A performative round table by Liz Dom in collaboration with artists Joshua Dekia and Malakias Liebmann.

Liz Dom
Liz Dom is an interdisciplinary artist from Johannesburg, South Africa. She completed her Bachelor of Visual Arts (BVA) at University of South Africa (UNISA) in 2016, being awarded the Certificate of Excellence in the Field of Fine Arts for her final exhibition WOLD. Dom is non-insistent about a specific practice or medium, preferring to be recognised for her emergent, experimental approach, allowing thematic concepts to guide her visual research and arising narratives.

instagram/liz.dom

 

Header Graphics: “We Never Landed on the Moon” by Liz Dom & Harald Bredholt, 2021. Photo: Michael Miller.

 

 

Amalia Raye Wiatr Lewis

Signaling

Meta.Morf 2022 / Trondheim Academy of Fine Art (KiT), NTNU /
Exhibition Program May 3–June 19 / Curator: Alex Murray-Leslie

Signaling

Amalia Raye Wiatr Lewis [US]

Signaling is a sprawling, networked project made in collaboration with the mycelium of oyster mushrooms, several dancers, many citizen scientists on Youtube, a sound-artist, several writers, a designer, and the audience. There are elements of the project concurrently on view at Vitensenteret i Trondheim, K-U-K – Kjøpmannsgata Ung Kunst, Kunsthall Trondheim, and Nils Aas Kunstverksted. The primary site of this project at Vitensenteret i Trondheim is an immersive sculpture- and sound-installation built by and for the mycelium. This site functions as a space for lectures, performances, and experiments that invite the audience to think with, care for, and learn from the fungi. This work explores ideas of community, caretaking, and mutual systems of support as modelled by the role of mycelium on the planet. It is a meditation on more-than-human methods of communication and symbiotic relationships. This project lies in the intersection of artistic research and science. It references theoretical, anthropological, and ecological texts while borrowing methods and practises found in architecture, sound art, social practise, and contemporary choreography.

Signaling has been commissioned by and is part of NTNU Ocean Week May 2 – 4, 2022 ntnu.edu/ocean-week
Signaling is kindly supported by Kunsthall Trondheim, Trondheim Academy of Fine Art NTNU, NTNU OCEANS.

Program
Vitensenteret i Trondheim, May 3 – June 26
K-U-K – Kjøpmannsgata Ung Kunst, May 14 – June 6
Nils Aas Kunstverksted, May 15 – June 12

Performance
Signaling by Amalia Raye Wiatr Lewis / Sound design by Øystein Fjeldbo
Kunsthall Trondheim, May 14 @ 13:00 – 15:00
Vintesenteret i Trondheim, May 21 @ 17:00
For a full list of collaborating performing artists as part of Signaling see: amaliarwl.com

Amalia Raye Wiatr Lewis
Amalia Raye Wiatr Lewis (b. 1994, Los Angeles, USA) is an interdisciplinary artist working with live art, performance, experiences, and objects. She received her BA from Bennington College in Vermont (USA) where she studied choreography, visual art, and anthropology. She has performed for national and international artists at galleries and museums, including the Philadelphia Museum of Art, the Institute of Contemporary Art in Philadelphia, Crush Curatorial in New York, Kurimanzutto Gallery in Mexico City, and the Bergen Kunsthall in Norway. Amalia has shown her own work in the USA, Norway, Germany, and Pakistan. For two-years she was a curatorial member of Little Berlin, an artist-run gallery in Philadelphia, USA. She is currently a graduating MFA student at the Trondheim Academy of Fine Art in Trondheim, Norway.

amaliarwl.com

Photo credits: “Signaling, fungal instrument” by Amalia Raye Wiatr Lewis & Øystein Fjeldbo, 2022. Photo: Amalia Raye Wiatr Lewis.
Portrait Photograph: C. Thomas Lewis.

 

 

Joshua Dekia

Global Angst

Meta.Morf 2022 / Trondheim Academy of Fine Art (KiT), NTNU /
Exhibition Program May 3–June 19 / Curator: Alex Murray-Leslie

To End Is To Begin

Joshua Dekia [GH/NO]

Joshua´s work engages in the cultural lifestyle and community-based art of the communities in the Ghanan, Kassena Nankana West Districts, with a focus on the wall paintings of Sirigu, passed down through the generations. He explores the spiritual and cultural connections between animal motifs, colours, patterns and most importantly their attitudes exhibited during their production. His current works express one’s life as a collection of memories and events, mixing traditional Ghanan techniques with contemporary technological tools and craft techniques, such as image transfer, embroidery, photography, drawing, abstraction and composition among others. Dekia uses personal artistic papier-mâché methods to mash up local Adresseavisen newspaper fibres, acting as embedded semantic material to transfer complex readings of contemporary mediated imagery.

Program
May 14 – June 6
K-U-K – Kjøpmannsgata Ung Kunst
Trondheim Public Library (second floor viewed from the bridge)

Joshua Dekia
Joshua Dekia, obtained his bachelor’s degree in painting and sculpture in 2018 at Kwame Nkrumah University of Science And Technology, Kumasi Ghana. He is currently a collaborating artist of the art collective Chicks on Speed and MFA2 student in the International Masters Program, Trondheim Academy of Fine Art.

Header Graphics: “Global Angst” (2021). Material: Adressavisen newspapers, Fabric, Rivercoat Cornloure, Mollerens Semile Gryn and Vegetable oil. Size: Vest size 42. Costume made for Chicks on Speed performance, Global Angst Parade, Munich, 2021.
Portrait Photograph: Production still by Mohammad Bayesteh, 2021.