{"id":906,"date":"2024-03-16T01:32:10","date_gmt":"2024-03-15T23:32:10","guid":{"rendered":"https:\/\/metamorf.no\/2024\/?p=906"},"modified":"2024-03-20T16:17:46","modified_gmt":"2024-03-20T14:17:46","slug":"litteraturhuset-2","status":"publish","type":"post","link":"https:\/\/metamorf.no\/2024\/litteraturhuset-2\/","title":{"rendered":"Can Art Tame AI?"},"content":{"rendered":"

Jon A. H\u00e5tun, Koka Nikoladze, Gyrid Nordahl Kaldestad<\/span><\/span><\/h3>\n

Meta.Morf 2024 \u2013 [up]Loaded Bodies \/ Litteraturhuset i Trondheim<\/a> <\/span>\/<\/span> June 12 \/
\nSellanraa Bok & Caf\u00e9 June 12 @ 19.00 \/ Student 200, Medlem nyMusikk 150. Ticket (coming)
\nThe event is a collaboration between Litteraturhuset in Trondheim and nyMusikk Trondheim.
\n<\/b>Norsk<\/a><\/em><\/span><\/span><\/span><\/span><\/p>\n

Can Art Tame AI? Artists’ Encounter with Artificial Intelligence<\/span><\/h5>\n

Presentation and Panel Discussion, Jon A. H\u00e5tun, Koka Nikoladze. Moderator: Gyrid Nordal Kaldestad.
\n<\/span>The conversation will be in both English and Norwegian.\u00a0<\/span><\/span><\/p>\n

Artificial intelligence is rapidly advancing and is already beginning to render several creative professions obsolete, without us fully grasping the full consequences of this new technology yet. Many artists already fear that artificial intelligence will produce such convincing artworks, write such compelling novels, and compose music that makes all human creativity unnecessary. Is humanity on the verge of making itself redundant?<\/span><\/p>\n

However, some artists have chosen to confront this challenge head-on. Two of them are Koka Nikoladze and Jon H\u00e5tun, also known as Jono El Grande. Through a mix of lectures, live demonstrations, and discussions, they will show us how generative artificial intelligence works in practice, in the fields of musical composition and visual arts, respectively.<\/span><\/p>\n

How can artificial intelligence be approached with healthy skepticism and curiosity, and can we relate to it without blindly glorifying it or becoming terrified?<\/span><\/span><\/p>\n

\n
<\/a>Kan kunsten temme KI?
\nKunstnernes m\u00f8te med kunstig intelligens.<\/span><\/h5>\n

Meta.Morf 2024 \u2013 [up]Loaded Bodies \/ Litteraturhuset i Trondheim<\/a> <\/span>\/<\/span> 12. juni \/
\n<\/span>Sellanraa Bok & Caf\u00e9 12. juni kl. 19.00 \/ Student 200, Medlem nyMusikk 150. Billett (kommer)
\nArrangementet er et samarbeid mellom Litteraturhuset i Trondheim og nyMusikk Trondheim.<\/span><\/span>
\n<\/span><\/span><\/span><\/p>\n

Presentasjon og panelsamtale, Jon A. H\u00e5tun, Koka Nikoladze.<\/span> Moderator: Gyrid Nordal Kaldestad.
\nSamtalen vil foreg\u00e5 p\u00e5 b\u00e5de norsk og engelsk.<\/span><\/span><\/p>\n

\u00a0<\/span><\/em>Kunstige intelligens kommer for fullt, og er allerede iferd med \u00e5 overfl\u00f8diggj\u00f8re flere kreative yrker – uten at vi enn\u00e5 helt aner de fulle konsekvensene av denne nye teknologien. Allerede n\u00e5 kjenner mange kunstnere p\u00e5 frykten for at den kunstige intelligens vil produsere s\u00e5 overbevisende kunstverk, skrive s\u00e5 gode romaner og komponere musikk som gj\u00f8r all menneskelig kreativitet unyttig. Er menneskeheten i ferd med \u00e5 gj\u00f8re seg selv overfl\u00f8dig?\u00a0<\/span><\/span><\/p>\n

Men noen kunstnere har valgt \u00e5 ta tyren ved hornene. To av dem er Koka Nikoladze og Jon H\u00e5tun, ogs\u00e5 kjent som Jono El Grande. I en blanding av foredrag, live demonstrasjon og samtale vil de vise oss hvordan generativ kunstig intelligens fungerer i praksis, innenfor henholdsvis musikalsk komposisjon og p\u00e5 det visuelle omr\u00e5det.\u00a0<\/span><\/p>\n

Hvordan kan kunstig intelligens m\u00f8tes med sunn skepsis og nysgjerrighet, og kan vi forholde oss til den uten \u00e5 hylle den blindt eller bli livredde?\u00a0<\/span><\/p>\n

\n

\"\"<\/span><\/em>Jon A. H\u00e5tun<\/strong> (NO) is a Norwegian composer, visual artist, and author. H\u00e5tun has held several exhibitions and writes for orchestras and ensembles. He has released 9 albums on Rune Grammofon and his own label, Cosmic Anthill. He is employed as an associate professor at Westerdals Department of Creativity, Storytelling, and Design\/ Kristiania University College. H\u00e5tun researches the transdisciplinary development of ideas and concepts in the intersection between analog human activity and generative AI.<\/span><\/span><\/p>\n

Kristiania School of Art and Design<\/a><\/span><\/p>\n

 <\/p>\n

\n

\"\"Koka Nikoladze<\/strong> (GE\/NO) is a composer, artist, and associate professor of music theory, composition, and music technology at the Norwegian Academy of Music (NMH). Koka composes for orchestras, and builds musical machines as well as expressive performance interfaces. Koka explores the interplay between sound, objects, and performance. Koka also gives public lectures on music and technology.<\/span><\/p>\n

koka.one<\/span><\/span><\/a><\/span><\/p>\n

 <\/p>\n

\n

\"\"Gyrid Nordal Kaldestad<\/strong> (NO) is a composer and performer from the island of Stord in Sunnhordland. In the spring of 2024, she will complete her artistic fellowship at NTNU, Department of Music, Department of Music Technology. Among her positions, she has been the leader of MU in NKF, head of the scholarship committee for composers, as well as a board member in Periskop, nyMusikk Trondheim, Nuts and Bolts, and Notam. She is currently the local leader for nyMusikk Trondheim and the deputy chair of the board for the Norwegian Society of Composers.<\/span><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Presentation and Panel Discussion,
Litteraturhuset, Sellanraa Bok & Caf\u00e9, June 12 \/<\/span><\/p>\n

Jon A. H\u00e5tun (NO), Koka Nikoladze (GE\/NO), Gyrid Nordal Kaldestad (NO)<\/p>\n

Artificial intelligence is rapidly advancing and is already beginning to render several creative professions obsolete, without us fully grasping the full consequences of this new technology yet. <\/p>\n

Continue reading<\/a><\/p>\n","protected":false},"author":1,"featured_media":4597,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[68],"tags":[],"class_list":["post-906","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-conference-front-redirect"],"acf":[],"_links":{"self":[{"href":"https:\/\/metamorf.no\/2024\/wp-json\/wp\/v2\/posts\/906","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/metamorf.no\/2024\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/metamorf.no\/2024\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/metamorf.no\/2024\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/metamorf.no\/2024\/wp-json\/wp\/v2\/comments?post=906"}],"version-history":[{"count":40,"href":"https:\/\/metamorf.no\/2024\/wp-json\/wp\/v2\/posts\/906\/revisions"}],"predecessor-version":[{"id":4841,"href":"https:\/\/metamorf.no\/2024\/wp-json\/wp\/v2\/posts\/906\/revisions\/4841"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/metamorf.no\/2024\/wp-json\/wp\/v2\/media\/4597"}],"wp:attachment":[{"href":"https:\/\/metamorf.no\/2024\/wp-json\/wp\/v2\/media?parent=906"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/metamorf.no\/2024\/wp-json\/wp\/v2\/categories?post=906"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/metamorf.no\/2024\/wp-json\/wp\/v2\/tags?post=906"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}