{"id":2381,"date":"2022-03-23T20:54:58","date_gmt":"2022-03-23T18:54:58","guid":{"rendered":"https:\/\/metamorf.no\/2024\/?p=2381"},"modified":"2024-03-25T16:32:27","modified_gmt":"2024-03-25T14:32:27","slug":"mishi-foltyn","status":"publish","type":"post","link":"https:\/\/metamorf.no\/2024\/mishi-foltyn\/","title":{"rendered":"Mishi Foltyn"},"content":{"rendered":"<h4><span style=\"font-weight: 400; font-family: tahoma, arial, helvetica, sans-serif;\">Mishi Foltyn<\/span><\/h4>\n<h6><span style=\"font-family: tahoma, arial, helvetica, sans-serif;\"><a href=\"https:\/\/metamorf.no\/2024\/technoflesh\/\" target=\"_blank\" rel=\"noopener\">TechnoFlesh \/ Babel Visningsrom for Kunst<\/a><\/span><\/h6>\n<p><span style=\"font-weight: 400; font-family: tahoma, arial, helvetica, sans-serif;\"><strong>Mishi Foltyn<\/strong> [NZ\/NO]\u00a0is an artist, curator, and writer. Her practice is centered on the relations between memory, site, and public and often touches on notions of labor, value, collectivity, participation, and hospitality. She is past leader of Babel visningsrom for kunst. Her artistic works have been realized throughout Norway, the Czech Republic, Canada, Poland, Latvia, and Finland.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400; font-family: tahoma, arial, helvetica, sans-serif;\">She holds an MFA (2017) from the Trondheim Academy of Fine Art, a BFA in art history and studio art (2009) from Concordia University in Canada, and two post-graduate diplomas specializing in commissioning and curating public art (2020) from HDK-Valand in Gothenburg and art, architecture, and design within public art practice (2021) from the Royal Institute of Art in Stockholm.\u00a0<\/span><\/p>\n<p><span style=\"font-size: 10pt;\"><em>Photo: Per Stian Mons\u00e5s<\/em><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>TechnoFlesh \/ Babel Visningsrom for Kunst<\/p>\n<p class=\"link-more\"><a class=\"more-link\" href=\"https:\/\/metamorf.no\/2024\/mishi-foltyn\/\"> Continue reading<\/a><\/p>\n","protected":false},"author":1,"featured_media":5046,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[38],"tags":[],"class_list":["post-2381","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-curator"],"acf":[],"_links":{"self":[{"href":"https:\/\/metamorf.no\/2024\/wp-json\/wp\/v2\/posts\/2381","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/metamorf.no\/2024\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/metamorf.no\/2024\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/metamorf.no\/2024\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/metamorf.no\/2024\/wp-json\/wp\/v2\/comments?post=2381"}],"version-history":[{"count":7,"href":"https:\/\/metamorf.no\/2024\/wp-json\/wp\/v2\/posts\/2381\/revisions"}],"predecessor-version":[{"id":5115,"href":"https:\/\/metamorf.no\/2024\/wp-json\/wp\/v2\/posts\/2381\/revisions\/5115"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/metamorf.no\/2024\/wp-json\/wp\/v2\/media\/5046"}],"wp:attachment":[{"href":"https:\/\/metamorf.no\/2024\/wp-json\/wp\/v2\/media?parent=2381"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/metamorf.no\/2024\/wp-json\/wp\/v2\/categories?post=2381"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/metamorf.no\/2024\/wp-json\/wp\/v2\/tags?post=2381"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}