{"id":978,"date":"2022-03-15T00:21:15","date_gmt":"2022-03-14T22:21:15","guid":{"rendered":"https:\/\/metamorf.no\/2022\/?p=978"},"modified":"2022-04-06T17:05:32","modified_gmt":"2022-04-06T15:05:32","slug":"spela-petric","status":"publish","type":"post","link":"https:\/\/metamorf.no\/2022\/spela-petric\/","title":{"rendered":"\u0160pela Petri\u010d"},"content":{"rendered":"<p>Meta.Morf 2022 \u2013 Ecophilia \/ <a href=\"https:\/\/dokkhuset.no\/\" target=\"_blank\" rel=\"noopener\">Dokkhuset<\/a> \/ Conference May 21 \/ Curator: Zane Cerpina<\/p>\n<h2>Matters of Play and Passion<\/h2>\n<h5>\u0160pela Petric\u030c [SL]<\/h5>\n<p>By recognising the ubiquitous, (eco)systemic embeddedness within algorithmic logic, \u0160pela Petri\u010d\u2019s recent work examines the potential of AI, design and robotics to create compelling ways of engaging with plants. As there is no outside to the computational system Petri\u010d attempts to subvert its intentions by using feminist principles of resistance \u2013 to practice erotics, cultivate passions of everyday and seek pleasures not instructed from elsewhere. Inspired by the plants&#8217; resilience in totalising circumstances, what emerges at the nexus of art, computation, and vegetal becoming formulates new possibilities of interspecies relations in exultopias to come.<\/p>\n<p><strong>\u0160pela Petric\u030c\u00a0<\/strong><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\" wp-image-2736 alignleft\" src=\"https:\/\/metamorf.no\/2022\/wp-content\/uploads\/2022\/03\/SPELA-PETRIC-portait_photo@ANZE-SEKELJ-scaled-e1648639258281-300x264.jpg\" alt=\"\" width=\"250\" height=\"220\" srcset=\"https:\/\/metamorf.no\/2022\/wp-content\/uploads\/2022\/03\/SPELA-PETRIC-portait_photo@ANZE-SEKELJ-scaled-e1648639258281-300x264.jpg 300w, https:\/\/metamorf.no\/2022\/wp-content\/uploads\/2022\/03\/SPELA-PETRIC-portait_photo@ANZE-SEKELJ-scaled-e1648639258281.jpg 717w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/>\u0160pela Petric\u030c is a new media artist with a background in the natural sciences. Her artistic practice combines biomedia and performativity to enact strange relations that reveal the underpinnings of our (bio)technological societies. Petric\u030c has received several awards, such as the White Aphroid for outstanding artistic achievement (Slovenia), the Bioart and Design Award (Netherlands), and an Award of Distinction at Prix Ars Electronica (Austria).<\/p>\n<p><a href=\"http:\/\/spelapetric.org\" target=\"_blank\" rel=\"noopener\">spelapetric.org<\/a><\/p>\n<p><em><span style=\"font-size: 10pt;\">Header Graphics: &#8220;PL&#8217;AI&#8221; by \u0160pela Petric\u030c. Produced by: Kersnikova Institute. Photo credit: Hana Josic.<br \/>\nPortrait Photograph\u00a0by Anz\u030ce Sekelj.<\/span><\/em><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0160pela Petric\u030c is a new media artist with a background in the natural sciences. Her artistic practice combines biomedia and performativity to enact strange relations that reveal the underpinnings of our (bio)technological societies.<\/p>\n<p><span style=\"color: #81d742; font-size: 18px;\">MATTERS OF PLAY AND SESSION<\/span><br \/>\nDokkhuset May 21, 2022<\/p>\n<p class=\"link-more\"><a class=\"more-link\" href=\"https:\/\/metamorf.no\/2022\/spela-petric\/\"> Continue reading<\/a><\/p>\n","protected":false},"author":1,"featured_media":1635,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[22],"tags":[],"class_list":["post-978","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-conference"],"acf":[],"_links":{"self":[{"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/posts\/978","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/comments?post=978"}],"version-history":[{"count":11,"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/posts\/978\/revisions"}],"predecessor-version":[{"id":2880,"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/posts\/978\/revisions\/2880"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/media\/1635"}],"wp:attachment":[{"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/media?parent=978"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/categories?post=978"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/tags?post=978"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}