{"id":453,"date":"2021-06-03T18:28:39","date_gmt":"2021-06-03T16:28:39","guid":{"rendered":"https:\/\/metamorf.no\/2022\/?p=453"},"modified":"2022-04-06T17:10:28","modified_gmt":"2022-04-06T15:10:28","slug":"open-call","status":"publish","type":"post","link":"https:\/\/metamorf.no\/2022\/open-call\/","title":{"rendered":"Open Call"},"content":{"rendered":"<p style=\"text-align: center;\"><span style=\"font-size: 24pt; font-family: Quicksand;\"><span style=\"font-family: tahoma, arial, helvetica, sans-serif;\">\u2013 The call is closed \u2013<\/span><\/span><\/p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt;\">By June 30 there were delivered 241 submissions for the exhibition(s), 55 for the conference, and 86 for the concert\/performance category.\u00a0Notification of acceptance will be during Sep. 2021.<\/span><\/p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 36pt; font-family: Quicksand;\"><span style=\"font-size: 8pt; font-family: arial, helvetica, sans-serif;\">\u00a0<\/span><\/span><strong><span style=\"font-size: 36pt; font-family: Quicksand;\">Meta.Morf 2022 \u2022 Ecophilia<\/span>\r\n<\/strong><span style=\"font-size: 22pt; font-family: Quicksand;\">Trondheim international biennale for art and technology,\r\nApril 1 \u2013 July 31, 2022.<\/span><\/p>\r\n<em><span style=\"font-family: tahoma, arial, helvetica, sans-serif; font-size: 12pt;\">We are seeking suggestions for the Ecophilia conference, exhibition and concert program.<\/span><\/em>\r\n<em><span style=\"font-family: tahoma, arial, helvetica, sans-serif; font-size: 12pt;\">The exhibition opens May 19, 2022, the conference and concerts are taking place on May 21-22, 2022.<\/span><\/em>\r\n\r\n<span style=\"font-family: tahoma, arial, helvetica, sans-serif; font-size: 12pt;\"><span style=\"font-size: 18pt;\"><strong>Ecophilia<\/strong><\/span> can be defined as our deep desire to connect with nature. But what is nature? And what is ecophilia in the age of the Anthropocene? When borders between nature, human and technology have become blurred, even obsolete?<\/span>\r\n\r\n<span style=\"font-family: tahoma, arial, helvetica, sans-serif; font-size: 12pt;\">How is ecophilia manifested today? Fighting climate change? Giving legal rights to non-humans? Advocating the devolution of the human species \u2013 for the better of the planet? Or should a true ecophile love and care for a nature transformed with all its strange new habitants? What about saving plastic Christmas trees, protecting artificial landscapes and putting genetically modified organisms in the list of protected species?<\/span>\r\n\r\n<span style=\"font-family: tahoma, arial, helvetica, sans-serif; font-size: 12pt;\">How do the many varieties of ecophilia affect nature? And what happens when our relationship with nature turns into an ecosexual fetish? Can one be too much of an ecophile? Do we even need to be in nature to be ecophiles? Artificial Intelligence (AI) promises to solve all the environmental crises just by running numbers. Now technoecophile\u2019s love for nature can be amplified through screens, apps and endless gadgets.<\/span>\r\n\r\n<span style=\"font-family: tahoma, arial, helvetica, sans-serif; font-size: 12pt;\"><strong>Meta.Morf 2022<\/strong> \u2013 The seventh Trondheim international biennale for art and technology \u2013 manifests a critical take on mankind\u2019s relationship to nature. The biennale will, through conferences, exhibitions and performances, critically question what it truly means to be an ecophile in the age of the Anthropocene?<\/span>\r\n\r\n<span style=\"font-family: tahoma, arial, helvetica, sans-serif;\"><span style=\"font-size: 18pt;\"><strong>The program<\/strong><\/span> for the Ecophilia conference, exhibition and concerts is composed both by artists and speakers selected through open calls, as well as directly invited by the biennale organizers.\u00a0<\/span>\r\n\r\n<span style=\"font-family: tahoma, arial, helvetica, sans-serif;\">Main curators:<\/span>\r\n<strong><span style=\"font-family: tahoma, arial, helvetica, sans-serif;\">Zane Cerpina<\/span><\/strong><span style=\"font-family: tahoma, arial, helvetica, sans-serif;\">, Project manager, TEKS<\/span>\r\n<strong><span style=\"font-family: tahoma, arial, helvetica, sans-serif;\">Espen Gangvik<\/span><\/strong><span style=\"font-family: tahoma, arial, helvetica, sans-serif;\">, Director, TEKS<\/span>\r\n\r\n<span style=\"font-family: tahoma, arial, helvetica, sans-serif;\">Meta.Morf 2022 advisory board:<\/span>\r\n<span style=\"font-family: tahoma, arial, helvetica, sans-serif;\"><strong>Erich Berger<\/strong>, Director of the Bioart Society, FI<\/span>\r\n<span style=\"font-family: tahoma, arial, helvetica, sans-serif;\"><strong>Michel van Dartel<\/strong>, Director of V2_, Research Professor at CARADT, NL\r\n<\/span><span style=\"font-family: tahoma, arial, helvetica, sans-serif;\"><strong>Jurij Krpan<\/strong>, Artistic Director of Kapelica Gallery, Kersnikova Institute, SL<\/span>\r\n<span style=\"font-family: tahoma, arial, helvetica, sans-serif;\"><strong>Ursula M\u00fcnster<\/strong>, Associate Professor and Director, Oslo School of Environmental Humanities, UiO, NO<\/span>\r\n<span style=\"font-family: tahoma, arial, helvetica, sans-serif;\"><strong>Hege Tapio<\/strong>, NOBA (Norwegian BioArt Arena), FeLT Futures of Living Technologies, OsloMet), NO<\/span>\r\n\r\n<span style=\"font-family: tahoma, arial, helvetica, sans-serif;\"><i>You may apply in all categories with as many projects as you like. <\/i><\/span>\r\n\r\n<span style=\"font-size: 18pt;\"><strong><span style=\"font-family: tahoma, arial, helvetica, sans-serif;\">Conference<\/span><\/strong><\/span>\r\n<span style=\"font-family: tahoma, arial, helvetica, sans-serif;\">DEADLINE: JUNE 30, 2021 @ 12am CEST<\/span>\r\n<span style=\"font-family: tahoma, arial, helvetica, sans-serif;\">NOTIFICATION OF ACCEPTANCE: August 30, 2021<\/span>\r\n\r\n<span style=\"font-family: tahoma, arial, helvetica, sans-serif;\">We are seeking presentations that can take place during the \u201cEcophilia\u201d two day conference on May 20 and 21, 2022.\u00a0Meta.Morf covers a participation fee, as well as travel and accommodation expenses during the conference.<\/span>\r\n\r\n<span style=\"font-family: tahoma, arial, helvetica, sans-serif;\"><strong>Submit your suggestion here<\/strong>: <a href=\"https:\/\/forms.gle\/2n5ME8EPyDq5UnJU6\" target=\"_blank\" rel=\"noopener\">https:\/\/forms.gle\/2n5ME8EPyDq5UnJU6<\/a><\/span>\r\n<span style=\"font-family: tahoma, arial, helvetica, sans-serif;\">Questions can be directed to Zane Cerpina: <a href=\"mailto:zane@teks.no\">zane@teks.no<\/a><\/span>\r\n\r\n<strong><span style=\"font-family: tahoma, arial, helvetica, sans-serif; font-size: 18pt;\">Exhibition<\/span><\/strong>\r\n<span style=\"font-family: tahoma, arial, helvetica, sans-serif;\">DEADLINE: JUNE 30, 2021 @ 12am CEST<\/span>\r\n<span style=\"font-family: tahoma, arial, helvetica, sans-serif;\">NOTIFICATION OF ACCEPTANCE: August 30, 2021<\/span>\r\n\r\n<span style=\"font-family: tahoma, arial, helvetica, sans-serif;\">We are seeking artworks and projects to be exhibited at the \u201cEcophilia\u201d group exhibition taking place from May 19 \u2013 July 31, 2022. Artworks need to be shipped to Trondheim by mid April 2022 and will be returned by late August. Meta.Morf covers fee, freight, travel and accommodation expenses during the setup of the work\/installation.<\/span>\r\n\r\n<span style=\"font-family: tahoma, arial, helvetica, sans-serif;\"><strong>Submit your suggestion here<\/strong>: <a href=\"https:\/\/forms.gle\/5UadGPhYWNDPpGBw9\" target=\"_blank\" rel=\"noopener\">https:\/\/forms.gle\/5UadGPhYWNDPpGBw9<\/a><\/span>\r\n<span style=\"font-family: tahoma, arial, helvetica, sans-serif;\">Questions can be directed to Espen Gangvik: <a href=\"mailto:espen@teks.no\">espen@teks.no<\/a><\/span>\r\n\r\n<strong><span style=\"font-family: tahoma, arial, helvetica, sans-serif; font-size: 18pt;\">Concerts \/ Performances<\/span><\/strong>\r\n<span style=\"font-family: tahoma, arial, helvetica, sans-serif;\">DEADLINE: JUNE 30, 2021 @ 12am CEST<\/span>\r\n<span style=\"font-family: tahoma, arial, helvetica, sans-serif;\">NOTIFICATION OF ACCEPTANCE: August 30, 2021<\/span>\r\n\r\n<span style=\"font-family: tahoma, arial, helvetica, sans-serif;\">We are seeking contributions for performances to take place during the Meta.Morf biennale 2022 on May 19, 20 and 21, 2022. Meta.Morf covers a participation fee, as well as travel and accommodation expenses.<\/span>\r\n\r\n<span style=\"font-family: tahoma, arial, helvetica, sans-serif;\"><strong>Submit your suggestion here<\/strong>: <a href=\"https:\/\/forms.gle\/4xcdPtzoR2PwrNkLA\" target=\"_blank\" rel=\"noopener\">https:\/\/forms.gle\/4xcdPtzoR2PwrNkLA<\/a><\/span>\r\n<span style=\"font-family: tahoma, arial, helvetica, sans-serif;\">Questions can be directed to Espen Gangvik: <a href=\"mailto:espen@teks.no\">espen@teks.no<\/a><\/span>\r\n\r\n<!-- \/wp:post-content -->","protected":false},"excerpt":{"rendered":"<p>\u2013 The call is closed \u2013<\/p>\n<p>By June 30 there were delivered 241 submissions for the exhibition(s), 55 for the conference, and 86 for the concert\/performance category.\u00a0Notification of acceptance will be announced during September 2021.<\/p>\n<p class=\"link-more\"><a class=\"more-link\" href=\"https:\/\/metamorf.no\/2022\/open-call\/\"> Continue reading<\/a><\/p>\n","protected":false},"author":1,"featured_media":735,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[11],"tags":[],"class_list":["post-453","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-calls"],"acf":[],"_links":{"self":[{"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/posts\/453","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/comments?post=453"}],"version-history":[{"count":88,"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/posts\/453\/revisions"}],"predecessor-version":[{"id":2968,"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/posts\/453\/revisions\/2968"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/media\/735"}],"wp:attachment":[{"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/media?parent=453"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/categories?post=453"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/tags?post=453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}