{"id":1745,"date":"2022-03-16T11:43:27","date_gmt":"2022-03-16T09:43:27","guid":{"rendered":"https:\/\/metamorf.no\/2022\/?p=1745"},"modified":"2022-04-06T16:59:54","modified_gmt":"2022-04-06T14:59:54","slug":"disnovation-org","status":"publish","type":"post","link":"https:\/\/metamorf.no\/2022\/disnovation-org\/","title":{"rendered":"Disnovation.org"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Meta.Morf 2022 \u2013 Ecophilia \/ <\/span><span style=\"font-weight: 400;\"><a href=\"https:\/\/samtidskunst.no\/en\/\" target=\"_blank\" rel=\"noopener\">Tr\u00f8ndelag Centre for Contemporary Art<\/a> \/<\/span><span style=\"font-weight: 400;\"><br \/>\nMay 19 \u2013 July 31 \/ Curator: Zane Cerpina \/ Co-curator: Espen Gangvik<\/span><\/p>\n<h2><span style=\"font-weight: 400;\">A BESTIARY OF THE ANTHROPOCENE<\/span><\/h2>\n<h5><span style=\"color: #000000;\">DISNOVATION.ORG (PL\/FR\/DE)<\/span><\/h5>\n<p><i><span style=\"font-weight: 400;\">A BESTIARY OF THE ANTHROPOCENE<\/span><\/i><span style=\"font-weight: 400;\"> is an illustrated compilation of hybrid creatures of our time, equally inspired by medieval bestiaries and observations of our damaged planet. Designed as a field handbook, it aims at helping us observe, navigate, and orientate into the increasingly artificial fabric of the world. Plastiglomerates, surveillance robot dogs, fordite, artificial grass, antenna trees, Sars-Covid-2, decapitated mountains, drone-fighting eagles, standardized bananas\u2026 each of these specimens are symptomatic of the rapidly transforming \u201cpost-natural\u201d era we live in. Often without us even noticing them, these creatures exponentially spread and co-exist with us.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">A BESTIARY OF THE ANTHROPOCENE<\/span><\/i><span style=\"font-weight: 400;\"> seeks to capture this precise moment when the biosphere and technosphere merge and mesh into one new hybrid body. What happens when technologies and their unintended consequences become so ubiquitous that it is difficult to define what is \u201cnatural\u201d or not? What does it mean to live in a hybrid environment made of organic and synthetic matter? What new specimens are currently populating our planet at the beginning of the 21st century?<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">A BESTIARY OF THE ANTHROPOCENE <\/span><\/i><span style=\"font-weight: 400;\">includes: 100+ original collages and handmade pointillist illustrations | 60 written observations on selected hybrid specimens &amp; creatures | 11 long contributions, and original critical essays by leading experts.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong>DISNOVATION.ORG<br \/>\n<\/strong><span style=\"font-weight: 400;\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2710 alignleft\" src=\"https:\/\/metamorf.no\/2022\/wp-content\/uploads\/2022\/03\/51829077285_342b3cf6de_o-300x169.jpg\" alt=\"\" width=\"250\" height=\"141\" \/>Founded in 2012 by Nicolas Maigret and Maria Roszkowska, DISNOVATION.ORG is both an art collective and an international workgroup engaged in the crossovers between contemporary arts, research and hacking. Artist and philosopher Baruch Gottlieb joined the collective in 2018. Together, they develop situations of interference, discussion and speculation that question dominant techno-positivist ideologies in order to foster post-growth narratives. Their research is expressed through installations, performances, websites and events. They recently co-edited <\/span><i><span style=\"font-weight: 400;\">A Bestiary of the Anthropocene<\/span><\/i><span style=\"font-weight: 400;\">, an atlas of anthropic hybrid creatures, and <\/span><i><span style=\"font-weight: 400;\">The Pirate Book<\/span><\/i><span style=\"font-weight: 400;\">, an anthology about media piracy.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Their work has been presented at numerous art centers and festivals internationally such as Centre Pompidou (Paris), Transmediale (Berlin), the Museum of Art and Design (New York), Palais de Tokyo (Paris), FILE (Sao Paulo), ZKM (Karlsruhe), Strelka Institute (Moscow), ISEA (Hong Kong), Elektra (Montr\u00e9al), China Museum of Digital Arts (Beijing), and the Chaos Computer Congress (Hamburg). Their work has been featured in Forbes, Vice, Wired, Motherboard, Lib\u00e9ration, Die Zeit, Arte TV, Next Nature, Hyperallergic, Le Temps, Neural.it, Digicult, Gizmodo, Seattle Weekly, torrentfreak.com, and Filmmaker Magazine among others.<\/span><\/p>\n<p><a href=\"http:\/\/disnovation.org\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">disnovation.org<\/span><\/a><\/p>\n<p><span style=\"font-size: 10pt;\"><em>Header Graphics: &#8220;A Bestiary of the Anthropocene&#8221; by disnovation.org.<\/em><\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Founded in 2012 by Nicolas Maigret and Maria Roszkowska, DISNOVATION.ORG is both an art collective and an international workgroup engaged in the crossovers between contemporary arts, research and hacking.<\/p>\n<p class=\"link-more\"><a class=\"more-link\" href=\"https:\/\/metamorf.no\/2022\/disnovation-org\/\"> Continue reading<\/a><\/p>\n","protected":false},"author":3,"featured_media":1746,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[28,20],"tags":[],"class_list":["post-1745","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ready","category-tssk"],"acf":[],"_links":{"self":[{"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/posts\/1745","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/comments?post=1745"}],"version-history":[{"count":5,"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/posts\/1745\/revisions"}],"predecessor-version":[{"id":2903,"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/posts\/1745\/revisions\/2903"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/media\/1746"}],"wp:attachment":[{"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/media?parent=1745"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/categories?post=1745"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/tags?post=1745"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}