{"id":1129,"date":"2022-02-04T17:38:42","date_gmt":"2022-02-04T15:38:42","guid":{"rendered":"https:\/\/metamorf.no\/2022\/?p=1129"},"modified":"2022-05-22T01:38:19","modified_gmt":"2022-05-21T23:38:19","slug":"about-metamorf","status":"publish","type":"post","link":"https:\/\/metamorf.no\/2022\/about-metamorf\/","title":{"rendered":"Meta.Morf \u2013\u00a0manifesto &#038; people"},"content":{"rendered":"<h4>Meta.Morf manifesto<\/h4>\n<p><span style=\"font-size: 13pt; font-family: roboto, quicksand; color: #808080;\">Artistic and scientific research are continuously challenging and changing our perspectives on life, often implying new philosophical and existential questions.<\/span><\/p>\n<p>Biotechnology, nanotechnology, neuroscience and new communication and computer technologies are examples of fields that expand the boundaries of artistic practice, which in turn can contribute to alternative approaches to scientific problems and technology development.<\/p>\n<p><span style=\"font-size: 13pt; font-family: roboto, quicksand; color: #808080;\">The artist as conveyor and interpreter of new knowledge and research, plays a crucial role in society\u2019s ability to maintain an adequate discourse regarding the use of new technologies and scientific advancements.<\/span><\/p>\n<p><span style=\"font-size: 13pt; font-family: roboto, quicksand; color: #808080;\">Meta.Morf aims for a broader audience to among\u00a0<\/span><span style=\"font-size: 13pt; font-family: roboto, quicksand; color: #808080;\">others present artists, musicians, writers, philosophers, and scientists with projects that in various ways help us broaden our perspectives on <\/span><span style=\"font-size: 13pt; font-family: roboto, quicksand; color: #808080;\">life itself.<\/span><\/p>\n<hr \/>\n<h4><span style=\"font-size: 24pt;\">Meta.Morf 2022 curators<\/span><\/h4>\n<p><span style=\"color: #000000;\"><strong>Alexandra Murray-Leslie<\/strong><\/span>\u00a0(AU\/NO), Professor Trondheim Academy of Fine Art<br \/>\n<span style=\"color: #000000;\"><strong>Anniken Storhaug<\/strong><\/span> (NO), Artistic director, Dropsfabrikken<br \/>\n<span style=\"color: #000000;\"><strong>Daniel Vincent Hansen<\/strong><\/span> (SE\/NO). General manager, Heimdal Kunstforening<br \/>\n<span style=\"color: #000000;\"><strong>Espen Gangvik<\/strong><\/span> (NO), General manager, TEKS \u2013 Trondheim Electronic Arts Centre<br \/>\n<span style=\"color: #000000;\"><strong>Frida Marie Edlund<\/strong><\/span> (SE\/NO), Museum pedagogue, Kunstmuseet Nord-Tr\u00f8ndelag<br \/>\n<span style=\"color: #000000;\"><strong>Hege Tapio<\/strong><\/span> (NO), Artist and PhD Candidate, OsloMet<br \/>\n<strong><span style=\"color: #000000;\">Jeremy Welsh<\/span>\u00a0<\/strong>(UK\/NO)<br \/>\n<span style=\"color: #000000;\"><strong>Kristin Bergaust<\/strong><\/span> (NO), Professor OsloMet<br \/>\n<span style=\"color: #000000;\"><strong>Lars Pedersen<\/strong><\/span> (NO), Planetarium manager,\u00a0Vitensenteret i Trondheim<br \/>\n<span style=\"color: #000000;\"><strong>Lena Katrine Sokki<\/strong> <\/span>(NO), General manager, Babel visningsrom for kunst<br \/>\n<span style=\"color: #000000;\"><strong>Marie Veie Sandvik<\/strong><\/span> (NO), Project manager, Stiklestad Nasjonale Kultursenter<br \/>\n<span style=\"color: #000000;\"><strong>P\u00e5l B\u00f8yesen<\/strong><\/span> (NO), ReMida Trondheim<br \/>\n<strong><span style=\"color: #000000;\">Zane Cerpina<\/span>\u00a0<\/strong>(LV\/NO), Project manager, TEKS \u2013 Trondheim Electronic Arts Centre<br \/>\n<span style=\"color: #000000;\"><strong>\u00c5shild Adsen<\/strong> <\/span>(NO), Director, Vitensenteret i Trondheim<\/p>\n<hr \/>\n<h4><span style=\"font-size: 24pt;\">Meta.Morf advisory board 2022<\/span><\/h4>\n<p><span style=\"color: #000000;\"><strong>Erich Berger <\/strong><\/span>(FI), Director of the Bioart Society<br \/>\n<span style=\"color: #000000;\"><strong>Hege Tapio<\/strong><\/span> (NO), NOBA \u2013 Norwegian BioArt Arena, FeLT Futures of Living Technologies, OsloMet<br \/>\n<span style=\"color: #000000;\"><strong>Jurij Krpan<\/strong><\/span> (SL), Artistic Director of Kapelica Gallery, Kersnikova Institute<br \/>\n<span style=\"color: #000000;\"><strong>Michel van Dartel<\/strong><\/span> (NL), Director of V2_ and Research Professor at CARADT<br \/>\n<span style=\"color: #000000;\"><strong>Ursula M\u00fcnster<\/strong><\/span> (DE\/NO), Associate Professor and Director, Oslo School of Environmental Humanities, UiO<\/p>\n<h4><span style=\"font-size: 24pt;\">Meta.Morf initial advisory board 2007 \u2013 2010<\/span><\/h4>\n<p><span style=\"color: #000000;\"><strong>Alex Adriaansens <\/strong><\/span>(NL), former director, V2_, Rotterdam (\u2020 2019)<br \/>\n<span style=\"color: #000000;\"><strong>Clive Kellner <\/strong><\/span>(ZA), former director, Johannesburg Art Gallery<br \/>\n<span style=\"color: #000000;\"><strong>Jemima Rellie <\/strong><\/span>(UK),\u00a0<span class=\"t-bold mr1 \"><span aria-hidden=\"true\">Interim Executive Director,<\/span><span class=\"visually-hidden\">\u00a0<\/span><\/span><span class=\"t-14 t-normal\"><span aria-hidden=\"true\">Battersea Arts Centre, London<\/span><\/span><br \/>\n<span style=\"color: #000000;\"><strong>Jeremy Welsh <\/strong><\/span>(UK\/NO), Artist, former professor,\u00a0Trondheim Academy of Fine Art,<br \/>\nBergen Academy of Art and Design<br \/>\n<span style=\"color: #000000;\"><strong>Zhang Ga <\/strong><\/span>(CN\/US), Curator, The National Museum of Modern Art, Beijing<\/p>\n<hr \/>\n<h4><span style=\"font-size: 24pt;\">Meta.Morf 2022 core team<\/span><\/h4>\n<p><span style=\"color: #000000;\"><strong>Zane Cerpina<\/strong><\/span>, Curator, \u00a0producer, designer<br \/>\n<span style=\"color: #000000;\"><strong>Frank Ekeberg<\/strong><\/span>, Translator<br \/>\n<span style=\"color: #000000;\"><strong>\u00d8ystein Kj\u00f8rstad Fjeldbo<\/strong><\/span>,Technical manager<br \/>\n<span style=\"color: #000000;\"><strong>Espen Gangvik<\/strong><\/span>, Director, curator, logistics manager, producer<span class=\"Apple-converted-space\"><br \/>\n<\/span><span style=\"color: #000000;\"><strong>Daniel Vincent Hansen<\/strong><\/span>, Communications assistant<br \/>\n<span style=\"color: #000000;\"><strong>J\u00f8rgen Hall\u00e5s Skatland<\/strong><\/span>,Travel manager<br \/>\n<span style=\"color: #000000;\"><strong>Juliane Sch\u00fctz<\/strong><\/span>,\u00a0Photographer<br \/>\n<span style=\"color: #000000;\"><strong>Joel Hynsj\u00f6<\/strong>,<\/span> Concert producer<br \/>\n<span style=\"color: #000000;\"><strong>Magdal\u00e9na Manderlov\u00e1<\/strong><\/span>, Hospitality manager<\/p>\n<hr \/>\n<h4>Meta.Morf is produced by<br \/>\n<a href=\"https:\/\/teks.no\" target=\"_blank\" rel=\"noopener\">TEKS \u2013 Trondheim Electronic Arts Centre<\/a><\/h4>\n<p><strong style=\"font-size: 12pt;\"><span style=\"color: #000000;\">TEKS <\/span><\/strong><span style=\"font-size: 12pt;\">employees.<br \/>\n<\/span><span style=\"font-size: 12pt;\">General manager:\u00a0<\/span><strong style=\"font-size: 12pt;\"><span style=\"color: #000000;\">Espen Gangvik<\/span><br \/>\n<\/strong><span style=\"font-size: 12pt;\">Project manager and curator:\u00a0<\/span><strong style=\"font-size: 12pt;\"><span style=\"color: #000000;\"><a style=\"color: #000000;\" href=\"http:\/\/cerpina.net\" target=\"_blank\" rel=\"noopener\">Zane Cerpina<\/a><br \/>\n<\/span><\/strong>Communications assistant:: <span style=\"color: #000000;\"><strong>Daniel Vincent Hansen<\/strong><\/span><strong style=\"font-size: 12pt;\"><br \/>\n<\/strong><span style=\"font-size: 12pt;\">TEKS engage temporary co-workers for projects when applicable.<\/span><\/p>\n<p><span style=\"font-size: 12pt;\"><span style=\"font-weight: 400;\"><span style=\"color: #000000;\"><strong>TEKS\u00a0<\/strong><\/span><span style=\"color: #999999;\">board members.<\/span><br \/>\n<span style=\"color: #999999;\">Board leader:\u00a0<\/span><strong><span style=\"color: #000000;\">Pia Skog Hagerup<\/span><br \/>\n<\/strong><\/span><span style=\"font-weight: 400;\"><span style=\"color: #999999;\">Board members:\u00a0<\/span><span style=\"color: #000000;\"><strong>Trond \u00c5m<\/strong><\/span>, <strong><span style=\"color: #000000;\">Leiken Vi<\/span>k\u00a0<\/strong>and\u00a0<span style=\"color: #000000;\"><strong>Sigurd Saue<\/strong><\/span><\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/teks.no\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1125 size-medium\" src=\"https:\/\/metamorf.no\/2022\/wp-content\/uploads\/2022\/02\/TEKS-logo-2017-2-300x144.png\" alt=\"\" width=\"300\" height=\"144\" srcset=\"https:\/\/metamorf.no\/2022\/wp-content\/uploads\/2022\/02\/TEKS-logo-2017-2-300x144.png 300w, https:\/\/metamorf.no\/2022\/wp-content\/uploads\/2022\/02\/TEKS-logo-2017-2-1024x492.png 1024w, https:\/\/metamorf.no\/2022\/wp-content\/uploads\/2022\/02\/TEKS-logo-2017-2-768x369.png 768w, https:\/\/metamorf.no\/2022\/wp-content\/uploads\/2022\/02\/TEKS-logo-2017-2-1536x739.png 1536w, https:\/\/metamorf.no\/2022\/wp-content\/uploads\/2022\/02\/TEKS-logo-2017-2.png 1697w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p><span style=\"color: #81d742; font-size: 18px;\">Artistic and scientific research are continuously challenging and changing our perspectives on life, often implying new philosophical and existential questions.<\/span><\/p>\n<p><span style=\"color: #81d742; font-size: 18px;\">Biotechnology, nanotechnology, neuroscience and new communication and computer technologies are examples of fields that expand the boundaries of artistic practice, which in turn can&#8230;<\/span><\/p>\n<p class=\"link-more\"><a class=\"more-link\" href=\"https:\/\/metamorf.no\/2022\/about-metamorf\/\"> Continue reading<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6],"tags":[],"class_list":["post-1129","post","type-post","status-publish","format-standard","hentry","category-intro"],"acf":[],"_links":{"self":[{"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/posts\/1129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/comments?post=1129"}],"version-history":[{"count":66,"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/posts\/1129\/revisions"}],"predecessor-version":[{"id":3220,"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/posts\/1129\/revisions\/3220"}],"wp:attachment":[{"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/media?parent=1129"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/categories?post=1129"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/metamorf.no\/2022\/wp-json\/wp\/v2\/tags?post=1129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}