{"id":3764,"date":"2020-01-19T03:59:25","date_gmt":"2020-01-19T01:59:25","guid":{"rendered":"http:\/\/metamorf.no\/?p=3764"},"modified":"2020-09-21T09:23:03","modified_gmt":"2020-09-21T07:23:03","slug":"eirik-havnes","status":"publish","type":"post","link":"https:\/\/metamorf.no\/2020\/eirik-havnes\/","title":{"rendered":"EIRIK HAVNES \/ TEKS.studio"},"content":{"rendered":"<p>SOLO EXHIBITION @\u00a0<strong><a href=\"https:\/\/teks.no\" target=\"_blank\" rel=\"noopener noreferrer\">TEKS.studio <\/a><\/strong>\/ September 26 \u2013 October 25, 2020<br \/>\nCurator: Espen Gangvik<\/p>\n<p><span style=\"font-size: 18pt; font-family: quicksand;\"><strong>EIRIK HAVNES <\/strong>[no]<\/span><br \/>\n<span style=\"font-size: 24pt; font-family: quicksand;\"><strong>THE AGREEMENT<\/strong><\/span><\/p>\n<div class=\"\" data-block=\"true\" data-editor=\"d9334\" data-offset-key=\"ftqdn-0-0\">\n<div class=\"_1mf _1mj\" data-offset-key=\"ftqdn-0-0\">\n<p>THE AGREEMENT is a part of Havnes\u2019 series of feedback themed installations, where every installation uses feedback both as a sound source, and as a representation of different processes within our surrounding world..<\/p>\n<p>This time it is the echo chamber that is thematized, and how we change opinions based on who we talk to, or how we through social media, or social situations, often are presented with opinions we already hold.<\/p>\n<p>Every saw blade is mounted with a contact speaker and a contact microphone, closing a feedback circle that makes the blade vibrate with it\u2019s own resonance frequency. When several of these saw blades are connected in different constellations, in different \u201cconversations\u201d so to speak, they constantly try to find frequencies they all can agree on, new tones they have in common.<\/p>\n<\/div>\n<\/div>\n<div id=\"attachment_3886\" style=\"width: 770px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3886\" class=\"wp-image-3886 size-large\" src=\"https:\/\/metamorf.no\/2020\/wp-content\/uploads\/2020\/01\/Bomuldsfabriken-1-1024x700.jpg\" alt=\"\" width=\"760\" height=\"520\" \/><p id=\"caption-attachment-3886\" class=\"wp-caption-text\">Photo by courtesy of the artist<\/p><\/div>\n<p><strong>Eirik Havnes<\/strong> (b.1989)<br \/>\nEirik Havnes is an artist, composer, musician and poet from \u00c5lesund, with a background from Music Technology at NTNU in Trondheim.<br \/>\nHe focuses on producing sound on the fringe of genres and technical barriers, with a playful approach to conceptuality and perception.<br \/>\nFeedback has been in the centre of his works for a long time, both as a concept and as a sound source; incorporating both into his installations and musical works. The same can be said about his use of sonification; the art of translating data or concepts into sound, to give the audience a different and auditive perspective on the subject in matter. Havnes has exhibited in arenas such as Tr\u00f8ndelag Senter for Samtidskunst, Bomuldsfabriken, Heimdal Kunstforening, H\u00f8stscena, Lydgalleriet, Meta.Morf (2014) and have released a number of records. Most recently, he has been the subject of the documentary Polyfonatura (2019), where director Jon Vatne has been following Havnes over the course of 4 years, while he is composing a cinematic score solely based on field recordings.<\/p>\n<p><a href=\"https:\/\/eirikhavnes.no\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>eirikhavnes.no<\/strong><\/a><\/p>\n<div id=\"attachment_3884\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3884\" class=\"wp-image-3884 size-medium\" src=\"https:\/\/metamorf.no\/2020\/wp-content\/uploads\/2020\/01\/20191119_OJ_18-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" \/><p id=\"caption-attachment-3884\" class=\"wp-caption-text\">Photo: Odin J\u00e6ger, VG<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>SOLO EXHIBITION @ TEKS.studio \/ September 26 \u2013 October 25, 2020<\/p>\n","protected":false},"author":1,"featured_media":3921,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[78,94],"tags":[],"class_list":["post-3764","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions","category-mmx-2"],"_links":{"self":[{"href":"https:\/\/metamorf.no\/2020\/wp-json\/wp\/v2\/posts\/3764","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/metamorf.no\/2020\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/metamorf.no\/2020\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/metamorf.no\/2020\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/metamorf.no\/2020\/wp-json\/wp\/v2\/comments?post=3764"}],"version-history":[{"count":35,"href":"https:\/\/metamorf.no\/2020\/wp-json\/wp\/v2\/posts\/3764\/revisions"}],"predecessor-version":[{"id":5782,"href":"https:\/\/metamorf.no\/2020\/wp-json\/wp\/v2\/posts\/3764\/revisions\/5782"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/metamorf.no\/2020\/wp-json\/wp\/v2\/media\/3921"}],"wp:attachment":[{"href":"https:\/\/metamorf.no\/2020\/wp-json\/wp\/v2\/media?parent=3764"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/metamorf.no\/2020\/wp-json\/wp\/v2\/categories?post=3764"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/metamorf.no\/2020\/wp-json\/wp\/v2\/tags?post=3764"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}