{"id":2700,"date":"2020-01-19T01:15:38","date_gmt":"2020-01-18T23:15:38","guid":{"rendered":"http:\/\/metamorf.no\/?p=2700"},"modified":"2020-09-19T21:42:46","modified_gmt":"2020-09-19T19:42:46","slug":"geocinema","status":"publish","type":"post","link":"https:\/\/metamorf.no\/2020\/geocinema\/","title":{"rendered":"GEOCINEMA \/ Kunsthall Trondheim"},"content":{"rendered":"<h4><strong>AFTER MAKING OF EARTHS<\/strong><\/h4>\n<p>INSTAGRAM LIVE \u2013 COMBINES STREAM\u00a0<strong><a href=\"http:\/\/instagram.com\/kunsthalltrondheim\" target=\"_blank\" rel=\"noopener noreferrer\">@kunsthalltrondheim<\/a><\/strong> &amp; <strong><a href=\"http:\/\/instagram.com\/teks.no\" target=\"_blank\" rel=\"noopener noreferrer\">@teks.no<\/a><\/strong> \/ October 8, 2020 @ 17:00 \u2013 18:00<br \/>\nCurator and moderator: Stefanie Hessler, <a href=\"http:\/\/kunsthalltrondheim.no\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>KUNSTHALL TRONDHEIM<\/strong><\/a><\/p>\n<p><span style=\"font-size: 18pt; font-family: quicksand;\"><strong>GEOCINEMA <\/strong>&#8211;<strong> Asia Bazdyrieva<\/strong>\u00a0\/<strong> Solveig Suess<\/strong><\/span><\/p>\n<p>Geocinema considers planetary-scale networks\u2014cell phones, surveillance cameras, satellites, geosensors\u2014as a vastly distributed cinematic apparatus. Their \u201cstitching\u201d processes are used for imperial observation, surveillance, verification, and tracking. Whether planned or accidental, they contribute to a visual culture for an uncertain future-present and yet, this \u201ccamera\u201d is framing a form of \u201cgeocinema.\u201d<\/p>\n<p>In this performance lecture, Geocinema consider this vast geocinematic apparatus as generator of a new form of distributed, machine-aided intelligence. The collective traces its creations and points it towards modes of seeing otherwise.<\/p>\n<p><a href=\"https:\/\/geocinema.network\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>geocinema.network<\/strong><\/a><\/p>\n<p><strong> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3425 size-medium\" src=\"https:\/\/metamorf.no\/2020\/wp-content\/uploads\/2020\/01\/IMG_5909-300x194.jpg\" alt=\"\" width=\"300\" height=\"194\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3424 \" src=\"https:\/\/metamorf.no\/2020\/wp-content\/uploads\/2020\/01\/IMG_5908-300x206.jpg\" alt=\"\" width=\"283\" height=\"194\" \/><\/strong><\/p>\n<p><strong>G<\/strong><strong>eocinema<\/strong> consists of art historian <strong>Asia Bazdyrieva<\/strong> and film-maker <strong>Solveig Suess<\/strong>. Bazdyrieva studied analytical chemistry at the Kyiv National University (2009) and art history at The City University of New York as a Fulbright grantee (2017). Suess completed her undergraduate in Visual Communication at the Glasgow School of Art, with her post- graduate at the Centre for Research Architecture, Goldsmiths University, London (2017). Bazdyrieva and Suess started their collaboration at The New Normal think-tank, Strelka Institute, Moscow (2018). In 2018\u201319 they were fellows in the global research network Digital Earth.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ONLINE LECTURE PERFORMANCE @ KUNSTHALL TRONDHEIM \/ October 2020, date to be announced.<\/p>\n","protected":false},"author":1,"featured_media":2701,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[79,94],"tags":[],"class_list":["post-2700","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-conferences","category-mmx-2"],"_links":{"self":[{"href":"https:\/\/metamorf.no\/2020\/wp-json\/wp\/v2\/posts\/2700","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/metamorf.no\/2020\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/metamorf.no\/2020\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/metamorf.no\/2020\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/metamorf.no\/2020\/wp-json\/wp\/v2\/comments?post=2700"}],"version-history":[{"count":29,"href":"https:\/\/metamorf.no\/2020\/wp-json\/wp\/v2\/posts\/2700\/revisions"}],"predecessor-version":[{"id":5768,"href":"https:\/\/metamorf.no\/2020\/wp-json\/wp\/v2\/posts\/2700\/revisions\/5768"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/metamorf.no\/2020\/wp-json\/wp\/v2\/media\/2701"}],"wp:attachment":[{"href":"https:\/\/metamorf.no\/2020\/wp-json\/wp\/v2\/media?parent=2700"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/metamorf.no\/2020\/wp-json\/wp\/v2\/categories?post=2700"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/metamorf.no\/2020\/wp-json\/wp\/v2\/tags?post=2700"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}